Stage
two in the roll out of the Marina Abramovic Institute, which materialized out
of nowhere at 575 Sutter Street last month, took place last weekend with the
opening show Degeneration/Regeneration curated by Cameron Jackson.
Stage
one was a low-key shout out to potential donors last month in which Abramovic gave a talk
about performance art and showed video of herself and others but gave few
details about the program. The institute is here, in part thanks to San
Francisco gallerist Stephen Tourell, who sits on the board of Abramovic’s
Institute in Hudson, New York, and helped snag the Sutter Street commercial
space.

This
account of the debut show deals only with Friday night. There were events on
Saturday and Sunday as well. As
you would imagine, the work presented was body-centric, with live performances by local artists Jennifer Locke, Igor Josifev and Michael Ryan Noble, and videos by Kadet Kuhne, Wojtek Doroszuk and Terence Koh. Guests were corralled
in the basement where Locke, dressed in a latex
gimp suit and hood, was busy painting a glassed-in-room completely black.
Abramovic then glamoured the crowd of between 100-150 people into a slow-motion climb of the stairs to her mellifluous drone of the phrase “lifting,
stretching, touching, moving.” The insta-ballet of forced-marched art people took me back to the ‘70s and those
charismatic practioners in the art of self-awareness, like Werner Ehrhard and
EST, whose cult-like trainings verged on messianic mind control. It was a
ballsy attempt to upend a jaded crew from texting their way through another
speed date with art and into a more meditative space. With just a touch of her
Jedi magic, Abramovic had them in the palm of her hand. Unfortunately, she
quickly released them into a show that had all the morbid charm of an episode
from Tales of the Crypt. Aside
from Locke’s S&M take on Ad Reinhardt and Kasimir Malevich, and to a lesser
extent Igor Josifev’s performance of a Duane Hanson corpse, the work seemed
jejune and a little dated. Unmarked videos played like trailers from Hollywood
horror films. Each alone might have been more interesting. As an ensemble they canceled each other.
I found video intriguing, although I'm not sure who made it. Cleverly placed by the ladies room, where a
line was assumed to form, it showed in black and white an androgynous male, his
face covered by a wig, his penis hidden between his legs, dancing to a silent
tune, with skulls in each hand. But since I’m a man I couldn’t linger too long without
holding up the line.
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